Unsung Serenade

for chamber orchestra

Scroll Down

In me thou see’st the glowing of such fire

That on the ashes of his youth doth lie,

As the death-bed whereon it must expire

Consumed with that which it was nourish’d by

William Shakespeare Sonnet 73

ABOUT

Unsung Serenade for chamber orchestra has been inspired by Shakespeare’s sonnet 73. The melodic motto of this work appears in two earlier musical settings of the sonnet, for voice and piano (in Hebrew, and in the original English).

The irony of sonnet 73, is in that the flame, which nourishes the passion, is also the one that ultimately consumes it. It is the unfulfilled potential, which makes “love more strong.”

 

Further, it is the perception of the elements that are fading — yellow leaves, ruined choirs, the sunset and a dying flame, which has the power to bring about a greater love.

The piece, therefore, begins with restraint, and slowly accumulates tension, with elements of the “serenade” melody released gradually. However, even in the ultimate, lyric portion of the piece full “satisfaction” is never achieved.

Mátti Kovler​

SCORING

DETAILS

PREMIERE

Instrumentation

2 fl, 2 ob (ob 2/engl. hrn), 2 cl (Bs cl), 3 hns, 2 trmp, 2 trmb, t-ba, harp, p-no (cel), perc, str.

May 21, 2010

 

Miller Theater, Columbia University

Underwood New Music Readings

American Composers Orchestra, George Manahan - conductor

Inspired by  Shakespeare's Sonnet 73

Dedicated to T.C.

REVIEWS

Mr. Kovler’s “Unsung Serenade,” in which a gloom akin to Ravel’s pregnant murk in “La Valse” gave birth to brighter sonorities, had an emotive potency that suggested, of all things, a potentially estimable operatic composer in the making.

Steve Smith The New York Times

Nineveh | Jordan Hall

NEC Sinfonietta, John Page

8:21 min, excerpt

OTHER works

The Drumf and the Rhinegold
an operatic apocalypse
Here Comes Messiah
a mono-opera for soprano and orchestra
Ami & Tami
a musical fable for children
Show More

CONTACT

 

BOOKING  |  COMMISSIONING  |  PRESS INQUIRIES

Amanda Cooper, ALC Management 

 

Email: amanda@alc-arts.com

Inquiries for ‘Here Comes Messiah’, ‘Ami & Tami’, ‘The Drumf & the Rhinegold’:

Floating Tower

Erin Simmons, producer

 

139 Jackson St. Suite 4B 

Brooklyn NY 11211

erin@floatingtower.com

tel: +1 469 826 0000

Mátti Kovler's scores and recordings are published exclusively by BarkolMusic [ASCAP] and Floating Tower Records. 

 

Inquiries regarding all European engagements: 

World Entertainment Company

Luca Ceretta, managing director

Király utca 56. 1. em 5

1068 Budapest

cell HU +36 3067 49980

cell ITA +39 329 472 1404

luca.ceretta@wechungary.com

www.wec-spa.com/en

For Repertoire advice, commission inquiries and general information about scores and individual works please contact Mátti directly at

info@mattikovler.com

1.png
  • White LinkedIn Icon
  • White Google+ Icon
  • White Twitter Icon
  • White Instagram Icon
  • White Facebook Icon
  • White SoundCloud Icon

© 2020 by Floating Tower © Photography by Mark Gurevich